Antikçağda tanrılara yapılan sunularda mor renk kullanılmış ve bazı tanrı(ça)ların rengi kabul edilmiştir. civarında boyar maddenin elde edilmesi, rengin lüks mallar sınıfında yer almasına sebep olmuş, bu nedenle kraliyet soyundan gelen kişilerin soylarını belirten bir statü simgesine dönüşmüştür. Yaklaşık 12.000 adet kabukludan sadece 1,4-1,5 gr. Antikçağ boyunca, kraliyetin, soyluluğun ve tanrısallığın rengi kabul edilen mor renk Muricidae familyasına ait Murex trunculus (Hexaplex trunculus L.), Murex brandaris (Bolinus brandaris L.) ve Purpura haemastoma (Stramonita haemastoma L.) olarak isimlendirilen deniz kabuklularından elde edilmiştir. bin yıldan günümüze kadar yaklaşık 4000 yıldır kullanımı devam eden mor renk, antik kaynakların aktardığı bilgiler ve kazılar sonucunda elde edilen veriler ışığında ele alınmıştır. Comparisons between the obtained chromatic samples in order to determine the effect of different vat compositions on the final colour shades, as well as tests to determine the colourfastness in terms of light and wash fastness, friction resistance and bleeding rounds off the paper.īu çalışmada, MÖ II. In addition, the influence of oxygen, UV-radiation, harvest time, sex and freshness of the purple molluscs on the colour outcomes will be treated. After that, the results of a series of dye experiments with extracted hypobranchial glands from fresh molluscs of the same species using different vats, both modern and historical, are displayed. The paper first presents a historical overview from the 5th century BC to the 15th century AD of the use of the red dye found in Bolinus brandaris. At Monte Testaceo (‘shell mountain’) in Taranto, the heaps found behind the Alcantarine convent– which now locates the National Archaeological Museum – and consisting mainly of spiny dye-murices show the importance of purpura rubra Tarentina in antiquity.
In ancient times, however, it belonged to one of the most important and lucrative branches of textile finishing: mountains of crushed shells in the settlements along the coasts of the Mediterranean Sea still mirror the industriousness of purple dyeworks. Finally, with the discovery of the synthetic purple dye mauveine in 1856, real mollusc purple largely lost its significance in dyeing fibres. After the fall of Byzantium in 1453 and the import of more economical dyes from the New World, the decline of shellfish purple was sealed.
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